Salsa Nocturna by Daniel José Older
“These are stories of the magic in cities, of the life in death, of the hope that even the most cynical of people still feel deep down. It had everything I wanted: noir and horror and mystery and fantasy, all mixed up and flavored with fresh attitude. And I loved every bit of it.”
~ NK Jemisin
TABLE OF CONTENTS: Introduction – Sheree Renée Thomas “Tenderfoot” “Salsa Nocturna” “Skin Like Porcelain Death” “The Collector” “Graveyard Waltz” “Protected Entity” “Magdalena” “Red Feather & Bone” “The Passing” “Tall Walkin’ Death” “Love is a Fucking River” “Forgive Me My Tangents” “Phantom Overload” Cover pic: “Brooklyn Nights #6” by Saddi Khali |
ISBN-13: 978-0615624457 ISBN-10: 0615624456 Pages: 144 Edited by Kay T. Holt Release date: Friday, July 13, 2012 For review copies please contact Bart Leib at publicity @ crossedgenres . com. |
About the Author
Daniel José Older is a writer, composer and paramedic living in Brooklyn, New York. He has facilitated workshops on music and anti-oppression organizing at public schools, religious houses, universities, and prisons. His soul band Ghost Star performs original multimedia theater productions about New York history around the city.
His short stories have appeared in Strange Horizons, Flash Fiction, Crossed Genres, The Innsmouth Free Press, and the anthology Subversion: Science Fiction & Fantasy tales of challenging the norm. He has been a featured reader at The New York Review of Science Fiction and Sheree Renée Thomas’ Black Pot Mojo Reading Series. Daniel is currently working towards his MFA in Creative Writing at Antioch University, Los Angeles. You can read his ridiculous and true ambulance adventures at www.raval911.blogspot.com and hear his music at http://ghoststar.net/. |
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More reviews
“Every one of these single stories is like a cool tune that starts off in a steady, melancholic and low key rhythm of a blues, then jazzes up the mood with some well placed beats and chords and finally goes all funky, wrecking tear-jerking havoc. It’s not all the same, of course. Each story has it’s own distinct song.”
“The genius of [Salsa Nocturna] is that is can be read as both pulp fiction and literature: as detective noir with a ghost twist, or as an allegorical commentary on issues ranging from gentrification to cultural appropriation.”
“I was left desperate to know what happens next. If Salsa Nocturna is Act 1, it has done one hell of a job getting me pumped for Act 2.”
Leonicka’s [Mini] Review [in pictures]
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